By Scott Oldenburg
Using either canonical and underappreciated texts, Alien Albion argues that early smooth England was once a ways much less unified and xenophobic than literary critics have formerly urged. Juxtaposing literary texts from the interval with criminal, spiritual, and monetary records, Scott Oldenburg uncovers how immigrants to England solid ties with their English hosts and the way these relationships have been mirrored in literature that imagined inclusive, multicultural communities.
Through discussions of civic pageantry, the performs of dramatists together with William Shakespeare, Thomas Dekker, and Thomas Middleton, the poetry of Anne Dowriche, and the prose of Thomas Deloney, Alien Albion demanding situations assumptions in regards to the origins of English nationwide identification and the significance of non secular, type, and native identities within the early sleek era.
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Utilizing either canonical and underappreciated texts, Alien Albion argues that early smooth England used to be some distance much less unified and xenophobic than literary critics have formerly instructed. Juxtaposing literary texts from the interval with felony, spiritual, and fiscal records, Scott Oldenburg uncovers how immigrants to England cast ties with their English hosts and the way these relationships have been mirrored in literature that imagined inclusive, multicultural groups.
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Extra info for Alien Albion: Literature and Immigration in Early Modern England
72 How can Good Remedy expel Hance and at the same time exploit his labour? Similarly, when Hance says that he helped transport wealth to Flanders, it is never really clear whether he is speaking of the allegorical figure Wealth, or the real wealth that circulates unevenly throughout the world. Hance’s statements about wealth may be especially vexing to the allegorical figures because he talks about the complex reality of the circulation of wealth while the allegorical plot requires simple absolutes.
The official texts of Elizabeth’s and James’s entries were, after all, carefully crafted pieces of royal propaganda. Perhaps because of the ease with which she defeated Jane Grey’s supporters, Mary I did not feel the need to publish an authoritative text of her accession for use as propaganda. 14 These accounts tend to privilege spectacle over speech, but an examination of them nonetheless sheds light on the relationship between Mary’s court, which would demand a uniform culture of Catholic revival, and London, a city increasingly aware of its cosmopolitanism.
When Hance states his love of Englishmen, Good Remedy accuses him of flattery and of exporting England’s wealth; Hance explains that he has lived in England thirteen years and brought with him many skills. At this point there seems to be a printer’s error, in which one line and a speech heading have been lost. From line 760 through to Hance’s exit at line 778, Hance and Good Remedy exchange rhyming couplets; the first line of each couplet has a speech prefix (naming the character who is speaking) and is also indented.
Alien Albion: Literature and Immigration in Early Modern England by Scott Oldenburg